ZEB22022 — WORKBOOK I ORCHESTRATION  — NOW AVAILABLE

ZEB22022 — WORKBOOK I ORCHESTRATION — NOW AVAILABLE

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PREVIEW

This new 210-page workbook contains not only 60 orchestration exercises starting from piano reductions with the orchestral score extract as a solution, but also analyses and recording excerpts from these masterpieces. The listen-and-follow-orchestrate method applied on the existing fragments is an efficient way to gain insight and technique in this field. The audio fragments can be downloaded after purchase via a link.

CONTENTS

Curriculum Vitae

INTRODUCTION

Foreword

SVENDSEN, Johan S. — Two Islandic Melodies — worksheet

SVENDSEN, Johan S. — Two Islandic Melodies — pianoreduction

SVENDSEN, Johan S. — Two Islandic Melodies  — score

SVENDSEN, Johan S. — Two Islandic Melodies  — analysis and assignment

CHAPTER 1 TEXTURES WITH ONE ELEMENT [Melody]

01 BEETHOVEN, Symphony N°3, op.55 — Eroica — part 1 —  m.45-47

02 BEETHOVEN, Symphony N°1, op.21 — part 1 — m.144-160 

03 TCHAIKOVSKY, Symphony N°4 — part 2 — m.1-20

04 DEBUSSY, Claude, Prélude à l’après-midi d’une faune — m.1-4

05 STRAVINSKY, Igor, Le Sacre du Printemps — m.1-3

06 BARTÓK, Béla, Concerto voor Orkest — I. Introduzione 

07 GRIEG, Edvard, Aus Holberg's Zeit, op.40 — I. Praelude — m.19-20

08 GRIEG, Edvard, Aus Holberg's Zeit, op.40 — I. Praelude — m.41

09 HOLST, Gustav, St.Paul’s Suite — II. Ostinato — last 4 bars

10 HOLST, Gustav, St.Paul’s Suite — I. Jig, Vivace — opening

11 BIZET, George,L’Arlésienne,  Suite N°1 — Ouverture — Allegro deciso

12 MOZART,  Symphony N°40, K.V.550 — Allegro assai — m.125-133

13 BEETHOVEN, Symphony N°5, op.67 — Allegro con brio — opening

14 BEETHOVEN, Symphony N°6, op.68 — Presto — m.234-243

15 d'INDY, Vincent, star, Variations Symphoniques — pp.40-43

16 SAINT-SAËNS, Camille, Dance macabre, op.40 — pp.23-24 E  

ANALYTICAL COMMENTS

CHAPTER 2 TEXTURES WITH TWO ELEMENTS

[Melody and Accompagnement]

17 BEETHOVEN, Symphony N°1, op.21 — Allegro con brio, m.52-64

18 BEETHOVEN, Symphony N°1, op.21 — Allegro con brio, m.205-217

19 SAINT-SAËNS, Dance macabre, op.40 — pp.9-10

20 SAINT-SAËNS, Dance macabre, op.40 — pp.3-4

21 TCHAIKOVSKY, Dance Chinoise 

22 SATIE, Gymnopédie N°2 — orch. Claude Debussy 

23 RAVEL, Les entretiens de la Belle et de la Bête, m.1-8 

24 RAVEL, Les entretiens de la Belle et de la Bête — p.36

25 DE FALLA, El Sombrero de Tres PicosAfternoon p.3

26 HOLST, The Planets — Part III — Mercury, The Winged Messenger 

27 BARTÓK, Concerto for Orchestra — I. Introduzione 

28 BARTÓK, Concerto for Orchestra  — IV. Intermezzo interotto

ANALYTICAL COMMENTS

CHAPTER 3 TEXTURES WITH THREE ELEMENTS

[Melody, Accompagnement and Secondary Melody]

29 BEETHOVEN, Symphony N°7, op.92 — Allegretto —  m.75-84 

30 BRAHMS, Symphony N°3, op.90 — Poco Allegretto 

31 TCHAIKOVSKY, Symphony N°4 — part 2 — m.75-82 

32 TCHAIKOVSKY, Symphony N°6 — part 2 — letter K  

33 DVORAK, Slavonic Dances, op.46 N°7 — Allegro assai — m.136-139 

34 DVORAK, Slavonic Dances, op.46 N°8 — Presto — m.9-16 

35 SAINT-SAËNS, Dance Macabre, op.40 — Mouvement modéré de Valse 

ANALYTICAL COMMENTS

CHAPTER 4 HARMONIC TEXTURES

36 MOZART, Die Zauberflöte, K.V. 620 — Ouverture — m.1-3

37 MENDELSSOHN, Ein Sommernachtstraum, op.21 — Ouverture — m.1-7

38 BEETHOVEN, Symphony N°5, op.67 — Allegro con brio — m.196-222

39 BEETHOVEN, Symphony N°6, op.68 — Allegro ma non troppo — m.422-426 

40 BEETHOVEN, Symphony N°6, op.68 — IV. Gewitter, Sturm — m.29-36  

41 GRIEG, Aus Holberg’s Zeit, op.40 — IV. Air, Letter R — m.5-6 

42 DVORAK, Symphony N°9 — Largo — m.1-4

43 HOLST, St. Paul’s Suite, op.29 N°2 — I.Jig — Vivace — m.9-12

44 HOLST, St. Paul’s Suite, op.29 N°2 — I.Jig — Vivace — Slotakkoord

45 MOESSORGSKI, Pictures of an exhibition — orch. M.Ravel 

46 MOESSORGSKI, Pictures of an exhibition — Vivo leggiero 

47 MOESSORGSKI, Pictures of an exhibition — La Grande Porte de Kiev 

48 BARTÓK, Concerto for Orchestra  — Giuoco delle coppie — m.123-156 

49 STRAVINSKY, Le Sacre du PrintempsLes Augures Printaniers 

ANALYTICAL COMMENTS

CHAPTER 5 CONTRAPUNTAL TEXTURES

50 MOZART, Don Giovanni — Ouverture — m.129-139

51 MOZART, Symphony N°40, K.V. 550 — Menuet — m.28-36

52 BEETHOVEN, Symphony N°9, op.125 — Scherzo, Presto — m.438-454 

53 BEETHOVEN, Symphony N°9, op.125 — Finale — m.116-131 

54 GRIEG, Edvard — Aus Holzberg’s Zeit, op.40 — V. Rigaudon — m.9-14

55 DVORAK, Slavonic Dances, op.46 N°7 — m.1-19 

56 SAINT-SAËNS, Dance macabre, op.40 — Repetitie Letter G

57 TCHAIKOVSKY, Symphony N°6 ‘Pathétique’ — Adagio lamentoso 

58 TCHAIKOVSKY, Symphony N°5 — Allegro moderato — m.104-110 

59 STRAVINSKY, Le Sacre du PrintempsLes Augures Pritaniers  

60 RAVEL, Pavane de le Belle au bois dormant — Lent — Rep.N°14

ANALYTICAL COMMENTS

Afterword