{"title":"STUDYSCORES","description":"In this collection you can purchase the \u003cem\u003eorchestral scores, \u003c\/em\u003ethe \u003cem\u003efull set score and parts \u003c\/em\u003ecan be purchased separately.","products":[{"product_id":"ze-digital-martenizza-symphonic-orchestra-study-score","title":"ZE-Digital MARTENIZZA for orchestra (study score)","description":"\u003cp\u003e\u003cstrong\u003epicc\/fl12\/ob\/cl12\/bsn12\/tr12\/hrn12\/trb\/glcksp\/xyl\/tblblls\/timp\/str\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe overture \u003cem\u003eMartenizza\u003c\/em\u003e was originally called \u003cem\u003eFestival Overture \u003c\/em\u003eand \u003cem\u003eSwerts \u003c\/em\u003ecomposed it on the occasion of a jubilee of the \u003cem\u003eLeuven University Symphony Orchestra\u003c\/em\u003e in 1993. In that period he took part in a conductor competition in \u003cem\u003eKatowice \u003c\/em\u003ein \u003cem\u003ePoland \u003c\/em\u003eand made some new friends, including \u003cem\u003eIvo Stoykov\u003c\/em\u003e from Bulgaria. At that time, they corresponded with each another, but that contact has since been lost. He was the one who sent \u003cem\u003eSwerts\u003c\/em\u003e a letter in the spring, within it red and white ribbons: apparently it was a custom to offer this to your close friends at the beginning of spring. Then you had to wait until you saw the first stork fly by and tie that rope to a branch and make a wish. That habit is called \u003cem\u003eMartenizza \u003c\/em\u003eover there. That's how \u003cem\u003eSwerts\u003c\/em\u003e came to that name. In the meantime there are versions of this popular work for wind orchestra, published by \u003cem\u003ede Haske\u003c\/em\u003e and also a piano four-handed version and a version for fanfare as well, all three available from the same publisher. He recently made a fifth version for piano solo with strings, which is available here. The \u003cem\u003eYouTube\u003c\/em\u003e video is a version for \u003cem\u003econcert band\u003c\/em\u003e of this piece.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOnly available in digital form, full set and parts available as well. This score format is in A4, 38pp\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery\u003c\/strong\u003e\u003c\/strong\u003e: \u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003eNo addition nor calculation of shipping costs.\u003cbr\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31896741216325,"sku":"","price":26.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-14om16.00.50.png?v=1781445691"},{"product_id":"ze-digital-drive-for-string-orchestra-study-score","title":"ZE-Digital DRIVE for string orchestra (study score)","description":"\u003cp\u003eInitially \u003cem\u003eSwerts \u003c\/em\u003ecomposed this piece for string orchestra as part of a large program to be performed by 800 students of the \u003cem\u003eMusic Academy\u003c\/em\u003e of \u003cem\u003eLeuven\u003c\/em\u003e to celebrate their 175th anniversary in 2010. Therefore, the musical material has been deliberately kept simple and close to often utilizing open strings as well. The \u003cem\u003eAtaneres Ensemble\u003c\/em\u003e has made a beautiful video of it:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3pwntaPJ4ZU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComplete set also available only in digital PDF. Score digitally in A4 format.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo calculation nor addition of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31897274613829,"sku":"","price":23.32,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/DRIVE.png?v=1781676291"},{"product_id":"ze-digital-elegia-for-violin-violoncello-and-strings-study-score","title":"ZE-Digital ELEGIA for violin, violoncello and strings (study score)","description":"\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SDIwtXBGKGE?si=A1SEzkaIBKolAGuP\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cp\u003e\u003cstrong\u003evlsolo\/vclsolo\/vl1\/vl2\/vl3\/vl4\/vla\/vcl\/db\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn Belgium, no one will forget the 1987 \u003cem\u003eHerald of Free Enterprise\u003c\/em\u003e disaster. The ferry sank off our North Sea coast and the footage that was broadcasted live then on Belgian TV; at the time, it  really touched the people who saw it. \u003cem\u003eSwerts\u003c\/em\u003e was at home alone at that time and was so emotional to see these images of victims that he wrote it off with this\u003cem\u003e Elegia \u003c\/em\u003ein silence, without using a piano. It was like writing in his personal diary. He left that small score in his cupboard drawer, not with any intention of releasing it publicly. A year later, however, he was commissioned to compose the \u003cem\u003eSt. Mark's Passion\u003c\/em\u003e and in that oratorio he placed the\u003cem\u003e Elegia\u003c\/em\u003e as a non verbatim comment on the scene of the \u003cem\u003eLast Supper\u003c\/em\u003e. Only five years later, in 1993, he conducted the first performance of this \u003cem\u003ePassion\u003c\/em\u003e. Even during its rehearsals he refused to continue playing the \u003cem\u003eElegy\u003c\/em\u003e, right down to the very last moment. Everyone was immediately moved by it and did not know its previous history. Even more striking was the fact that, spontaneously after the performance, people confessed to him that it should be this very \u003cem\u003eElegy\u003c\/em\u003e they wanted to play at their own funeral service. It is remarkable, however, that one experiences this music in a perfect B flat major third key as music in remembrance of the dead. Since then the composer has decided to release the work separately. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis study score is in digital A4 format, 14pp, full set also available digitally.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo calculation nor addition or shipping costs.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31897311772741,"sku":"","price":21.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/ELEGIACOVER_df9715d2-2c9e-4598-a827-191df2eb8e9f.png?v=1781676073"},{"product_id":"ze-digital-atlantic-suite-for-strings-with-harp-study-score","title":"ZE-Digital ATLANTIC. Suite for strings with harp (study score)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDutch director \u003cem\u003e\u003ca href=\"https:\/\/www.imdb.com\/name\/nm2438008\/\"\u003eJan-Willem Van Ewijk \u003c\/a\u003e\u003c\/em\u003eapproached \u003cem\u003eSwerts \u003c\/em\u003eto compose a classical soundtrack for his movie \u003cem\u003eAtlantic. \u003c\/em\u003estarring \u003cem\u003eFettah Lamara \u003c\/em\u003eand \u003cem\u003eThekla Reuten. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/cJCvHCgf5qo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAt t\u003cem\u003ehe request of the Ataneres Ensemble, \u003c\/em\u003ehe composed a 20' suite of the soundtrack containing the most important scenes but also unused material from it. The soundtrack itself can be listened to free\u003cstrong\u003e \u003ca href=\"https:\/\/soundcloud.com\/user-339067379\/sets\/atlantic-soundtrack\"\u003ehere.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStudy score available in digital format, 73pp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFull set, score and parts also available in digital format.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003eThis product is delivered digitally and becomes available immediately after purchase. By completing this purchase, you expressly agree that the performance of the contract begins immediately. You acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. Please ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo addition nor calculation of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg height=\"463\" width=\"324\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/11-Atlantic-Poster_480x480.jpg?v=1602502119\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHere you can listen to the complete soundtrack of the movie:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/168688564\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-339067379\" title=\"Atlantic.\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAtlantic.\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-339067379\/sets\/atlantic-soundtrack\" title=\"Atlantic. Soundtrack\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eAtlantic. Soundtrack\u003c\/a\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31897437634629,"sku":"","price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/ATLANTIC_020169fa-e3d4-45a8-a31f-25043ef1cfef.png?v=1781676211"},{"product_id":"ze-digital-lapogee-for-orchestra-study-score","title":"ZE-Digital L'APOGéE for orchestra (study score)","description":"\u003cp\u003e\u003cstrong\u003e12212121\/4331\/glksp\/xlph\/bsdr\/timp[3perc]\/str (12'30\")\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis piece has been commissioned in 2016 by the \u003cem\u003eNational Orchestra of Belgium \u003c\/em\u003efor the debut concert of their new chief conductor, \u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.hughwolff.com\/\"\u003eHugh Wolff.\u003c\/a\u003e\u003c\/strong\u003e \u003c\/em\u003eIn his foreword, \u003cem\u003eSwerts\u003c\/em\u003e wrote: \"If one searches for the meaning of the word '\u003ci\u003eapogée\u003c\/i\u003e' in a dictionary, it states as follows: '\u003ci\u003ePoint le plus éloigné de la terre sur l'orbite d'un astre. \u003c\/i\u003e\u003ci\u003ePoint ou degré le plus élevé que l'on peut atteindre. \u003c\/i\u003e\u003ci\u003ePar exemple: Cette composition marque l'apogée de son art.'  \u003c\/i\u003eOne can reflect in different ways on this given: is this piece about the most far point of our listening experience, or is it an erotic scenery of two lovers, or is it just a term to indicate that the composer has tried to put all his skills he ever learned during his career into this piece? Although the title of this orchestral piece might suggest that it is a symphonic poem, it remains an absolute piece of music, totally abstract in musical content but nevertheless strongly committed to a narrative manner of expressing musical thoughts. Basically two musical ideas stood for the concept of this work. First, the way how classical composers like \u003ci\u003eBeethoven, Mozart \u003c\/i\u003eand \u003ci\u003eHaydn\u003c\/i\u003e always build up tension in their musical language with means of increasing\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eand decreasing musical sections from 4 to 2 to one bar of music and the other way around strook me when listening to performances of their music. It is a simple principle that I wanted to explore not only in my one way but also and in a conscious way discovering how it would work and into what an extent it might result into building up a great climax in music. Secondly, my experience as a listener when I heard in the \u003cem\u003eMusik Verein\u003c\/em\u003e in October 2015 the \u003cem\u003eVienna Symphonic\u003c\/em\u003e performing Maurice Ravel's \u003ci\u003eBolero\u003c\/i\u003e: what fascinated me then was the real sound of effective orchestration and even more the limitation of the used harmonic material by Ravel. So the compositional question I asked myself in this work was how could I create a huge apogee in a piece of music in combining those two elements: conducting tension by shifting musical sections from 4 to 2 to one-bar sections and on the other hand, utilizing limited chord material, in this case only two chords, namely C major and C sharp minor. It worked out perfectly; only the ending point of the apogee came in, so to speak, too quickly, already after four or five minutes, and I had to find ways to deviate from this result by inserting a much more lyrical, dramatic middle section before returning to the opening idea of starting from scratch, only with a bass drum playing some pulses. Actually, the second time after the middle section, the building up starts over again, but now the sections are shortened into a half, two-bar section instead of a four-bar section so that the tension increases much faster than in the beginning. It resulted in a massive climax and coda in the end. \u003ci\u003e'l'Apogeé\u003c\/i\u003e' should address itself to the imagination of the listener: it has a powerful story to tell, and I have no problem at all whether this leads to different listening experiences at all. For me personally, it was a purely musical abstract challenge to be defeated. \u003ci\u003eVarsenare,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e5th of December 2016.\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eStudy Score in digital \u003c\/i\u003e\u003cstrong\u003eA3\u003c\/strong\u003e \u003ci\u003epdf. format, 53 pp.\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFull set available in pdf.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/APOGEE_fragment.png?v=1781675941\" alt=\"\"\u003e\u003c\/i\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo calculation nor addition of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31897620971589,"sku":"","price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-14om15.10.33.png?v=1781442646"},{"product_id":"ze-digital-talbot-hymn-for-harmonium-4-gongs-harp-and-strings-study-score","title":"ZE-Digital TALBOT HYMN for harmonium, 4 gongs, harp and strings (study score)","description":"\u003cp\u003eDuring the Great War, \u003cb\u003e\u003ca href=\"https:\/\/www.talbothouse.be\/en\/museum\/history\/little-paris\"\u003ePoperinge\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ewas part of unoccupied Belgium. Away from the turmoil of battle in the Ypres Salient, the town became the nerve center of the British sector. In the heart of this bustling town, the Army chaplains Neville Talbot and \u003cem\u003ePhilip \"Tubby\" Clayton\u003c\/em\u003e opened a \u003ca href=\"https:\/\/www.talbothouse.be\/en\/museum\/history\/house\"\u003e\u003cb\u003eclub\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom December 1915 onwards, and for more than three years, the House provided rest and recreation to all soldiers coming in, regardless of their rank. Today, as real as then, the place offers a welcoming and friendly stop in Flanders Fields.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4th of November 2015 was its 100th anniversary: for that occasion, the \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFlanders Symphony Orchestra.\u003c\/em\u003e commissioned \u003cem\u003eSwerts\u003c\/em\u003e a short piece of 4' utilizing the original harmonium of the House that was used during masses on the attic in the House.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/2015-04-08_15.32.21_480x480.jpg?v=1602572525\" width=\"231\" height=\"173\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe original harmonium of Talbot House.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/IMG_1448_2_480x480.jpg?v=1602572617\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe keyboard of a portable harmonium that was taken to the front as well.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn the hall when you go upstairs, against the wall were also hanging four little tuned gongs: playing on them, the Big Ben would sound through \u003cem\u003eE-C-D-G.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe orchestra played a Celebration Concert in November 2015 in the \u003cem\u003eCadogan Hall\u003c\/em\u003e in \u003cem\u003eLondon \u003c\/em\u003eand the first performance of this warm tune.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/IMG_1440_4_480x480.jpg?v=1602572832\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe composer with the beige jacket discussing in the \u003cem\u003eTalbot House\u003c\/em\u003e with its conservator (right from him) and \u003cem\u003eDirk Coutigny\u003c\/em\u003e, former intendant of \u003cem\u003eFlanders Symphony Orchestra, \u003c\/em\u003eleft from him.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eYouTube video \u003c\/em\u003eis a recording made by the composer during the general rehearsal in \u003cem\u003eCadogan Hall \u003c\/em\u003ein \u003cem\u003eLondon.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStudy score in digital A4 format.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFull set also available digitally.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo calculation nor addition of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDigital Product – Immediate Delivery\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e: \u003c\/em\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. By completing this purchase, you expressly agree that the performance of the contract begins immediately. You acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. Please ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31898886766661,"sku":"","price":21.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/TALBOTHYMN.png?v=1781675751"},{"product_id":"ze-digital-yakara-symphony-n-3study-score","title":"ZE-Digital YAKARA (Symphony N°3)(Study Score)","description":"\u003cp\u003e\u003cem\u003epicc\/fl\/ob\/engl.hrn\/clar\/bss.clar\/bsn\/2hrns\/2trp\/glksp\/wind machine\/timpani\/hrp\/piano\/celesta\/baritone solo\/four part female choir\/strings\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eduration: about 36'\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eJeker\u003c\/em\u003e is the river that runs through \u003cem\u003eTongeren, \u003c\/em\u003ethe oldest town of Belgium and flows into the \u003cem\u003eMeuse\u003c\/em\u003e in \u003cem\u003eMaastricht \u003c\/em\u003ein \u003cem\u003eHolland\u003c\/em\u003e. Its oldest Celtic name is \u003cem\u003eYakara.\u003c\/em\u003e The city council reopened this river and gave it its own place in a renewed landscape architecture in the city of \u003cem\u003eTongeren\u003c\/em\u003e, the birthplace of composer \u003cem\u003eSwerts\u003c\/em\u003e. For this inauguration the city of \u003cem\u003eTongeren\u003c\/em\u003e and the organisation \u003cstrong\u003e\u003cem\u003e\u003ca href=\"https:\/\/moment.tongeren.be\/\"\u003eMoment\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003etherefore also commissioned \u003cem\u003eSwerts\u003c\/em\u003e to write a work that could be the equivalent of \u003cem\u003eSmetana's Moldau\u003c\/em\u003e. You could say that this work has become his \u003cem\u003ePastoral Symphony\u003c\/em\u003e, in which he also makes use of a wind machine, a female choir and a baritone solo performing \u003cem\u003eLooking Glass River\u003c\/em\u003e by \u003cem\u003eRobert Louis Stevenson.\u003c\/em\u003e The work was created in his hometown on 17 September by the \u003ca href=\"https:\/\/www.philharmoniezuidnederland.nl\/\"\u003e\u003cem\u003eZuidnederlandse Philharmonie\u003c\/em\u003e\u003c\/a\u003e conducted by \u003ca href=\"http:\/\/philipp-pointner.at\/start\/en\/\"\u003ePhilipp Pointner.\u003c\/a\u003e \u003cstrong\u003e\u003cem\u003e\u003ca href=\"https:\/\/moment.tongeren.be\/\"\u003eMoment\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003ethree walks along the river at different times of the year.\u003cem\u003e Swerts\u003c\/em\u003e also took part in these walks in order to gain inspiration for his new symphony. The \u003cem\u003eYouTube \u003c\/em\u003evideo is a short documentary about the project, in \u003cem\u003eDutch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/YAKARA_BEGIN.png?v=1781675403\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStudy Score in digital A3 format. \u003c\/em\u003e\u003cem\u003eFull set also digitally available.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003eThis product is delivered digitally and becomes available immediately after purchase. By completing this purchase, you expressly agree that the performance of the contract begins immediately. You acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. Please ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo calculation nor addition of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31899732017221,"sku":"","price":84.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-14om15.44.09_404b58c2-232c-4d2d-a2be-59b780b85113.png?v=1781444739"},{"product_id":"ze-digital-passions-study-score","title":"ZE-Digital PASSIONS (study score)","description":"\u003cp\u003e\u003cstrong\u003efl\/ob\/B flat cl\/bsn\/hrn\/trp\/glcksp\/timp(one player)\/hrp\/2 pno\/str\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yPczQCQuXOE\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComposer's note: \"The story of how a new composition starts is always different. I was very excited and thrilled by the fact that the young dynamic Dutch piano duo Stefan and Martijn \u003ca href=\"http:\/\/www.pianoduoblaak.nl\/\"\u003eBlaak\u003c\/a\u003e commissioned a new double concerto for two pianos. They already had successfully recorded my Vesalius Suite for piano four hands, and of course I had already completed six solo piano concertos, so this felt almost like the right moment to undertake this project.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDreaming about a new project is always very seductive and almost addictive, but in the end, it must lead to concrete steps, taking more and more musical decisions about how you shape and build new work and what your idea is about the concept, in this case of a double concerto.\u003c\/p\u003e\n\u003cp\u003eIn commissions duration and orchestration are very often discussed and the length of min. 25’ seemed a minimum. The orchestra should be a chamber orchestra; also, here the exact choice became more pronounced during the writing process.\u003c\/p\u003e\n\u003cp\u003eOne starts doing some research, looking for examples of existing double piano concertos, and certainly there are always more works in the genre than one might presume. Of course, the obvious ones are in the end not just the most famous or most played ones because it’s \u003cem\u003eMozart\u003c\/em\u003e or \u003cem\u003ePoulenc\u003c\/em\u003e or \u003cem\u003eMendelssohn,\u003c\/em\u003e that’s an understatement, it is because they are just better than the other existing pieces. I was particularly not impressed by the double concerto of Philip Glass, f.i., nor the older concerto of \u003cem\u003eBruch\u003c\/em\u003e or the much too thick written work of Martinu.\u003c\/p\u003e\n\u003cp\u003eI remember an interview in Paris I did as a student in the eighties with the famous Polish composer \u003cem\u003eWitold Lutoslawsk\u003c\/em\u003ei, who already completed then his piano concerto for Zimmerman, and he was then thinking too of a two-piano concerto, which was, in his point of view, much more interesting because you have two independent sets of pedals.\u003c\/p\u003e\n\u003cp\u003eI adore \u003cem\u003ePoulenc\u003c\/em\u003e as a composer. Also, his concerto is very successful, full of colors, rhythm, and interesting treatment of the given two pianos, but in my view, it is much too short as a concerto and rather not chaotic but more rhapsodic in his general all-over form.\u003c\/p\u003e\n\u003cp\u003eSo, deciding how my work would be it very often becomes ‘not that but’.\u003c\/p\u003e\n\u003cp\u003eIt always starts with ideas about something: in the last years, the large overall form interests me more and more; in fact, how to create a way of manipulating musical events in such a way that the listener gets an experience as a piece of one whole with a very considerable length is what interests me. Of course, in this case not a concerto of two hours but at least a piece where all movements must be related to each other. Further on, you fantasize about titles and characters of movements, like a playful Toccata or Jeu, and the consideration of prolonging the three-movement pattern and so on.\u003c\/p\u003e\n\u003cp\u003eAll depends of the material you finally opt for: in this case, the whole creation process felt exceptional, as if everything processed itself and the swift pace it was performed at seemed almost out of my own control. In the end, this concerto has a duration of almost 32 minutes, and all movements were sketched in the inner half of four weeks,\u003cem\u003e February 2017.\u003c\/em\u003e It happened during a very common traffic jam when I heard the main theme of Aubade very clearly in my head: I was heading towards my work, and once I arrived, I noted down those first four bars in a roughly drawn piano staff on a course sheet. This musical line expressed exactly in my mind what I wanted to strive for: music that sounded positive and stimulated your energy.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eAubade\u003c\/em\u003e came later into my mind because its music seemed to be the embodiment of my experience I previously had in the month of December when I visited my brother in \u003cem\u003eMexico\u003c\/em\u003e: I stayed in a marvelous hotel\u003ca href=\"http:\/\/kinsolsoleil.com\/\"\u003e\u003cem\u003e Kyn Sol Soleil\u003c\/em\u003e\u003c\/a\u003e at a fantastic, beautiful coast there, in \u003cem\u003eMaroma\u003c\/em\u003e, and it was this feeling of the continuous sound of the waves pounding into the ocean, getting awake, and then seeing the sky and the ocean early in the morning, combined with this warmth, the wind, and the energy and continuous force of those waves, which sounds into this Aubade.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/IMG_2776_480x480.jpg?v=1602743065\" width=\"292\" height=\"389\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis energetic motive with its ascending fifth became the building stone of the whole architecture. Even when in \u003cem\u003eBadinerie\u003c\/em\u003e and\u003cem\u003e Soupirs\u003c\/em\u003e both movements seem to have their themes and motives; always at a certain moment, this Maroma motive returns or involves or takes over or transforms the movement in something deeper. Endings of movements were designed as such that transitions could be realized without interruption. Aubade incites to \u003cem\u003eBadenerie\u003c\/em\u003e as \u003cem\u003eSoupirs\u003c\/em\u003e does to \u003cem\u003eFeu\u003c\/em\u003e, even if you would leave out the \u003cem\u003eCadence\u003c\/em\u003e in consideration. The \u003cem\u003eCadence\u003c\/em\u003e is composed as the last movement and begins and ends in the same key as 3. Ends and 5 begin and thus become a major part of 3 to 5 as one big movement towards the end; that and this felt like a coincidence and ends in the same key as the concerto starts. It utilizes the \u003cem\u003eMaroma\u003c\/em\u003e-theme and in its middle section improvises material from the \u003cem\u003eBadinerie.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe concerto has five movements: \u003cem\u003eAubade-Badinerie-Soupirs-Cadence-Feu\u003c\/em\u003e. In each movement, the main \u003cem\u003eMaroma\u003c\/em\u003e-theme is present. With the exception of a short caesura after no. 2, everything should be played without interruption. If the conductor of the piano duo prefers, they can even omit the very last measure of \u003cem\u003eBadinerie\u003c\/em\u003e, it will sound then like an open ending, a short fermate to make the transition to the 3. As you like.\u003c\/p\u003e\n\u003cp\u003eIn the same option, one also can opt to omit the \u003cem\u003eCadence\u003c\/em\u003e: the ending and the beginning of the 3\u003csup\u003erd\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eand 5\u003csup\u003eth\u003c\/sup\u003e movement are designed as such that they can be played without interruption and even without \u003cem\u003eCadence\u003c\/em\u003e: The concerto has a duration of 28’ without \u003cem\u003eCadence\u003c\/em\u003e and almost 33’ with \u003cem\u003eCadence.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe main title \u003cem\u003ePassions\u003c\/em\u003e is derived from \u003cem\u003eLes passions de l’âme\u003c\/em\u003e, written by \u003cem\u003eDescartes\u003c\/em\u003e in 1649. It was dedicated to \u003cem\u003eQueen Christina of Sweden\u003c\/em\u003e; the author contributes to a long tradition of theorizing \"\u003cem\u003ethe passions\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe passions were experiences now commonly called emotions in the modern period and had been a subject of debate among natural philosophers since the time of Plato.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDescartes\u003c\/em\u003e represented the problem of the passions of the soul in terms of its simplest integral components. He distinguishes between six different fundamentally distinct passions:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBut there aren’t many simple and basic passions... you’ll easily see that there are only six: wonder, love, hatred, desire, joy, sadness. All the others are either composed of some of these six or are species of them. So I’ll help you to find your way through the great multitude of passions by treating the six basic ones separately and then showing how all the others stem from them.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e —Descartes, Passions of the Soul, article 69.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e In my concerto, at least five of the basic passions are represented. I had many thoughts about an exact title for the third movement, first thinking of an Intermezzo, Romance and so on. Finally, the word Soupir(s) suggests the closest to the very simple musical idea of this melancholic movement. I found the word in a verse of the Bible:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePs.84:2 Mon âme soupire et languit après les parvis de l'Eternel; mon cœur et ma chair poussent des cris vers le Dieu vivant.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIt is my strong wish that this passionate music also reaches the passion of the music listener.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStudy score in A4 format, digitally, 206pp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFull set available, score and parts included, solo parts for piano, 654pp\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo addition nor calculation of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg height=\"239\" width=\"319\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/IMG_2751_480x480.jpg?v=1602743110\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31901863542853,"sku":"","price":63.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/products\/00-ZESOR07-Passions_cover_jpeg.jpg?v=1606376929"},{"product_id":"zeso3-zodiac-violin-and-orchestra-studyscore","title":"ZE-Digital ZODIAC violin and orchestra (studyscore)","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/zroc\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003el1-fl2(picc)-ob1-cl1-cl2(bcl)-bsn1-dbsn-trp1-4hrns-trb1-tba-\u003c\/strong\u003e\u003cstrong\u003etimp-blss-glcksp-xyl-vibr-mar-5tt-sndbsdsuspcymb-hi-hat-cymb-clav-\u003c\/strong\u003e\u003cstrong\u003ewdbl-trgl-crot-6crystglss-tamb-gong-tt-sandblock-hrp-strings-vl solo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1993, dr.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwerts\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eparticipated the International Queen Elisabeth Competition for Composition with his violin concerto \u003cem\u003eZodiac. 154\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eparticipants from 24 countries participated then, among the members of the jury were \u003cem\u003eDonatoni, Gorecki, Verbey, de Pablo \u003c\/em\u003eand \u003cem\u003eDevreese.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eHis concerto was selected and received the\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eGrand Prix International Reine Elisabeth Composition. \u003c\/em\u003eThen it was the compulsory concerto for the finals of the violin edition 1993. The winner was \u003cem\u003eYayoi Toda. \u003c\/em\u003e12 performances were broadcasted on TV and radio. Among them, the performance of \u003cem\u003eMartin Beaver \u003c\/em\u003efrom \u003cem\u003eCanada\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas an ideal performance. This version can be heard on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYouTube.\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis video shows the solo part during the performance:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/77Ih-a9mOd4\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e This s\u003cem\u003etudyscore in digital format, A3 size, 42pp .\u003c\/em\u003e\u003cem\u003eOrchestra material must be purchased separately A4 format, 116 pp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003eThis product is delivered digitally and becomes available immediately after purchase. By completing this purchase, you expressly agree that the performance of the contract begins immediately. You acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. Please ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNo addition nor calculation of shipping costs.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31997758111813,"sku":"","price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-14om15.39.44_acd9c3a0-7cb9-44e8-b812-49fe27b5cfe1.png?v=1781444469"},{"product_id":"ze-digital-magma-concerto-grosso-for-violin-cello-and-string-orchestra-1989study-score","title":"ZE-Digital- MAGMA - Concerto grosso for violin, cello and string orchestra (1989)(Study Score)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uWxOIjDSbgo?si=cXR5GePI_7eh2Fto\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/csxb\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis work was commissioned by\u003cem\u003e I Fiamminghi,\u003c\/em\u003e artistic director \u003cem\u003eRudolf Werthen\u003c\/em\u003e, who wished an explicitly virtuosic piece for him as violinist and his spouse \u003cem\u003eFrance Springuel,\u003c\/em\u003e cello. I imagined an erupting volcano while searching for this extreme, wild, and challenging music. In terms of form, I had a three-part work in mind, in which the outbursts would appear in the finals. In the middle part was a mysterious scherzo where the sparks of the lava flared up, and in the first part was an introductory part that had to prepare the ominous premonition of the coming eruption. The finale is strongly influenced by \u003cem\u003eLutoslawski\u003c\/em\u003e's style, and I had a macro-acceleration in mind in which the meter would systematically reduce to nothing, each time in sentences of 8 bars starting from 4\/4 to 7\/8 to 6\/8, 3\/4, and so on to 8\/16. The first part would then be more or less reversed, starting from condensed to expanding. The second movement is inspired by \u003cem\u003eBartok\u003c\/em\u003e's third string quartet, in which the solo parts constantly play in octaves and the orchestral parts play a fabric around them in different meters. Remarkable in the solo parts is that the \u003cem\u003eostinato\u003c\/em\u003e starts on one tone and gradually expands and then progresses in a retrograde way back to the beginning. A very challenging but extroverted composition. I revised the whole score in terms of notation and articulations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis work is also available in digital format, the full set, or as a study score.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003eThis product is delivered digitally and becomes available immediately after purchase. By completing this purchase, you expressly agree that the performance of the contract begins immediately. You acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. Please ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":31999652659269,"sku":"","price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-14om15.11.44.png?v=1781442717"},{"product_id":"ze-digital-serenata-meine-kleine-nachtmusik-for-wind-ensemble-study-score-new","title":"ZE Digital — SERENATA - Meine kleine Nachtmusik — for wind ensemble — STUDY SCORE — NEW!","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/zprp\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1888588914\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\" title=\"Piet J.Swerts\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\/serenata-meine-kleine-nachtmusik-for-winds-and-double-bass\" title=\"SERENATA - Meine kleine Nachtmusik - for winds and double bass\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSERENATA - Meine kleine Nachtmusik - for winds and double bass\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe famous oboe player Marcel Ponseele commissioned to dr. Piet Jozef SWERTS a new work of substantial length (22') which was an artistic answer to and communication with the Gran Partita of W.A.Mozart. The orchestration of Swerts' Serenata, therefore, is identical to Mozarts. Further, each movement utilizes thematic material of Mozarts oeuvre or makes at least reminiscences to it. The first performance was by Ponseeles ensemble Il Gardellino. The present set is for contemporary instruments, but on request can be added extra parts for historical instruments, especially for the horn parts.  Full set available.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro\u003c!----\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariazioni su un tema di M.\u003c\/li\u003e\n\u003cli\u003eMenuetto D.C. Trio\u003c\/li\u003e\n\u003cli\u003eAndante moderato\u003c\/li\u003e\n\u003cli\u003eAlla Turca\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":52729268273501,"sku":"","price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2024-08-04om11.43.52.png?v=1722764645"},{"product_id":"ze-digital-serenata-meine-kleine-nachtmusik-for-wind-ensemble-full-set-score-and-parts","title":"ZE Digital — SERENATA - Meine kleine Nachtmusik — for wind ensemble — FULL SET SCORE AND PARTS","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/zprp\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1888588914\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Piet J.Swerts\" href=\"https:\/\/soundcloud.com\/piet-swerts\" target=\"_blank\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SERENATA - Meine kleine Nachtmusik - for winds and double bass\" href=\"https:\/\/soundcloud.com\/piet-swerts\/serenata-meine-kleine-nachtmusik-for-winds-and-double-bass\" target=\"_blank\"\u003eSERENATA - Meine kleine Nachtmusik - for winds and double bass\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe famous oboe player \u003cem\u003eMarcel Ponseele\u003c\/em\u003e commissioned Dr. Piet Jozef SWERTS a new work of substantial length (22') which was an artistic answer to and communication with the \u003cem\u003eGran Partita\u003c\/em\u003e of \u003cem\u003eW.A.Mozart\u003c\/em\u003e. The orchestration of Swerts' Serenata, therefore, is identical to Mozart's. Further, each movement utilizes thematic material of Mozart's oeuvre or makes at least reminiscences to it. The first performance was by Ponseeles ensemble Il Gardellino. The present set is for contemporary instruments, but on request, extra parts for historical instruments can be added, especially for the horn parts. \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro\u003c!----\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariazioni su un tema di M.\u003c\/li\u003e\n\u003cli\u003eMenuetto D.C. Trio\u003c\/li\u003e\n\u003cli\u003eAndante moderato\u003c\/li\u003e\n\u003cli\u003eAlla Turca\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":52729334661469,"sku":null,"price":100.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2024-08-04om11.43.52.png?v=1722764645"},{"product_id":"ze-digital-etoiles-for-harp-percussion-and-strings-study-score","title":"ZE Digital ETOILES for harp, percussion and strings — STUDY SCORE","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LebbF8S39Jw?si=gPJeBs9zjnvNOTkD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBy coincidence, this work is established: the Lenaerts family is not unknown in the musical world. Wouter Lenaerts, brother of Anneleen, is a talented composer who now has successfully established his own symphony orchestra. Anneleen had me unofficially polled once, if I would not be able to compose music for harp and clarinet , until my conversations with manager Dirk Coutigny led to the current result, a new work for harp and orchestra.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eEtoiles came to me immediately as the first working title because Anneleen is simply a rising musical star; the craftsmanship and musicality of her instrument are unmatched. Moreover, in the image of the universe , the stars are something very inspirational. In 1993, it led me to compose Zodiac , the work that was awarded the international prize for composition and Queen Elizabeth and served as an imposed violin concerto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThe musical content of Etoiles is not really a concerto , but at first I had a more suggestive piece of mind. Some time ago, a good friend, the incredibly talented French violinist Christophe Boulier, introduced me to a recording made by the Voyager in the universe that shows the sounds that produce our earth. I found this remarkable piece back on You Tube and used it as a base to start. Hence, the subtitle is Chanson de la terre for the first part. A musical look at our planet from space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThe basis for this lies in the percussion either female choir: its format is an almost exact reproduction of the recording by the Voyager. Around this I built multiple layers in the orchestra and harp. The orchestration I deliberately limited to multi-divided strings and two percussionists. In this way, the color of the harp solo comes more forward. The first part has thus become the most atmospheric part of this work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThen it goes without interruption into Chanson de la lune , where I focused on all the splendor of the arpeggio played on the harp. No other instrument can so beautiful break chords like a harp. I developed for this kind of chord sequence, a chaconne, which has some medieval influence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eAfter this interlude is continuous into the Valse 'd'Amour. Initially this part, or rather a verse of Plato, was the first premise of this work :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eΑστερασ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eεισατηρεισ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e , \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eαστερ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eεμοσ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eΕιτηε\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eγενοιμεν\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eουρανοσ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e ,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e\" \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eοσ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e π\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eολλοισ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eομμασιν\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eεισ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eσε\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eβλε\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eπ\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: 'Tahoma',sans-serif; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi;\" lang=\"NL\"\u003eο\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eAsteras eisathreis aster emos .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eEithe genoimen ouranos ,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e' Os pollois ommasin requirement necessarily blepo .\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eStare , my Star ,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eUp to the stars ?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eI wish I was the sky\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThus , all eyes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eTo throw at you. Cans\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eFrom Diogenes Laertius Book III, attributed to Plato ( 427-347 BC).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThe project that this work preceded it was the creation of the film music that I composed for the Dutch-Moroccan feature film \" Atlantic. \" Produced by Augustus Films of Amsterdam's director Jan-Willem Van Ewijk , an epic film about the story of the young man Fettah who for quite a number of reasons, decides to cross the Ocean on a surfboard. Fettah Lamara and Thekla Reuter (The American ) are the protagonists. The story is set in Essaouira, Morocco, the film comes into circulation in 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eFor this project , I had 76 tracks outlined, of which 12 were eventually retained. Much unused material was omitted because of the steady development of the film itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eA track of them, number 22, originally contained the main theme for the film. It had the infinite ocean and expressed hope and melancholy and love; in short, it took more than three months before I was able to develop into what it had become, the subject of an infinitely long drawn-out melody in six-eighth, cradling, and never good knowing where it would go. Eventually we decided to start the final assembly back from scratch and compose as if no sketches had been made in advance. As a result, this beautiful theme was never used. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eThe original orchestration of this theme was for harp and strings, and so it finally ended as Valse 'd'Amour in Etoiles. Rightly so, it seemed to me, because in that form, in my opinion, it was the right evocation of the beautiful poem by Plato as a starting point and as the final part of this dreamy work, Etoiles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\" lang=\"NL\"\u003eIn the work, the harp part is composed optimally in a conventional manner; no special playing technique was used. I wanted to make the instrument sound at its best, which will undoubtedly be realized in the magic hands of Anneleen Lenaerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"NL\" style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"NL\" style=\"font-size: 11.0pt; mso-bidi-font-size: 12.0pt; font-family: Palatino;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":52789084520797,"sku":"","price":63.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-13om12.43.24.png?v=1781347421"},{"product_id":"ze-digital-the-sack-of-louvain-study-score","title":"ZE Digital — The Sack of Louvain  — STUDY SCORE","description":"\u003cp\u003e\u003ciframe style=\"width: 550px; height: 350px;\" src=\"https:\/\/online.anyflip.com\/jtizk\/zojm\/index.html\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOrchestral Score. 156pp. This oratorio was commissioned to be performed exactly 100 years after 24-25th of August 1914 to commemorate what happened during the German invasion in Louvain. For 4 soloists, choir and orchestra. 53'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":53532772860253,"sku":"","price":84.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-11om14.19.35.png?v=1781180390"},{"product_id":"the-sack-of-louvain-piano-reduction","title":"ZE Digital — The Sack of Louvain  — PIANO REDUCTION","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/fqhr\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePiano Reduction. 145 pp. This oratorio was commissioned to be performed exactly 100 years after 24-25th of August 1914 to commemorate what happened during the Germain invasion in Louvain. For 4 soloists, choir and orchestra. 53'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":53532838592861,"sku":null,"price":42.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-11om14.18.30.png?v=1781180326"},{"product_id":"ze-digital-morgenrot-symphony-n-2-study-score-205-pp","title":"ZE Digital MORGENROT — Symphony N°2 — STUDY SCORE — 205 pp","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GZfNG_66QOI?si=MBdDh8graZxgn_0F\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/cspk\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis second symphony was commissioned by the Flemish Government at the occasion of the celebration of the year 2000. It is a large symphony for soprano, choir and orchestra and \u003ca href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_l7QU9AtCdLYtqNsl-_Qmr_IAysITWvKNE\"\u003eappeared on CD from the label PHAEDRA.\u003c\/a\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis link enables you to listen to the whole symphony.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNO SHIPPING COSTS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":53533035692381,"sku":"","price":95.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-11om14.16.58.png?v=1781180233"},{"product_id":"ze-digital-a-symphony-of-trees-study-score","title":"ZE DIGITAL — A SYMPHONY OF TREES — STUDY SCORE (244pp)","description":"\u003cp\u003e\u003cem\u003eOpening of A Symphony of Trees:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FbpFvsK62A0?si=IghBtLO6Xh7TZfS_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCentral Tenor Aria \"The Silent One\":\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/a9J4xq8jnuA?si=u-NIqFw0Q3VcjzP4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e Finale of A Symphony of Trees:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AoLgbhdEH_4?si=ohIonI-a4ioNF4m-\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn the Spring of 2015, 138 memorial trees were planted in Ypres. Each tree was planted where roads leading out of the city crossed the curved frontline forming the infamous Ypres Salient of the First World War. This salient stood as a semi-circle around the medieval city from October 1914 to October 1918. During those four years the line moved back and forth several times, but the salient never broke. The trees were planted on the 100th anniversary of the line formation that was the closest to the city centre, and stayed there for the longest period – some 27 months. This so called “small salient” is now recognisable in the landscape through elm trees, trees that were very common before the First World War in the Ypres area. In fact, the word “iep” (for elm) and “Ieper” (the Flemish name of Ypres) are etymologically the same in Flemish. After the war a lot of elms were planted back, but in the 1980s and 1990s most of them died as a result of elm disease. In 2015 a new resistant breed of elms were chosen to become the memorial tree, thus symbolising a double process of loss and resurrection. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen British soldier, poet and composer Ivor Gurney came to the Ypres salient in August 1917, a lot of trees had vanished already. As the British offensive was creeping slowly towards Passchendaele, in an attempt to break the salient, more and more trees got smashed up, as happened to the rest of the countryside. Gurney, who in peace time was an avid walker and lover of the countryside, was shocked by the sight of such utter destruction of life and nature. As a Private with a Machine Gun Company attached to the 2\u003c\/span\u003e\u003cspan\u003end\u003c\/span\u003e\u003cspan\u003e\/5\u003c\/span\u003e\u003cspan\u003eth \u003c\/span\u003e\u003cspan\u003eGloucestershire Regiment, he spent weeks watching out over the barren battlefields east of Ypres. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGurney’s poetry is always about his experience and that of his fellow soldiers. In some poems he also explicitly describes the “dreadfulness” of the destroyed landscape. As a composer in those days he was stirred by A.E.Housman’s poem, \u003c\/span\u003e\u003cspan\u003eOn Wenlock Edge\u003c\/span\u003e\u003cspan\u003e. This poem, from Housman’s immensely popular cycle \u003c\/span\u003e\u003cspan\u003eA Shropshire Lad \u003c\/span\u003e\u003cspan\u003e(1896), also uses the image of distressed woods as a symbol for men’s suffering. In Ivor Gurney’s mind, who considered himself a composer first and a poet second, nature and music mingle in a true sense. And in nature trees are a formidable, direct inspiration for his music. In an essay on music he wrote: \u003c\/span\u003e\u003cspan\u003e“From poplars has come much: the larch has given grace to thought in many of the smaller forms. The oak has strengthened many, and in the shady chambers of the elm many have found peace. Trees are the friendliness of things: the beech with its smooth A major trunk, its laughing E major foliage; the Scotch fir which, passionate or still, is always F sharp minor!’” (\u003c\/span\u003e\u003cspan\u003eIvor Gurney, \u003c\/span\u003e\u003cspan\u003eThe Spring of Music\u003c\/span\u003e\u003cspan\u003e, in: Music Quarterly 8, July 1922) \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 13\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSuch imagery is at the core of this new work by Piet Swerts, dedicated to the memory of Ivor Gurney and to the destroyed and resurrected City of Ypres. Using Gurney’s descriptions of broken trees in the destroyed Flemish countryside to express the destruction of man and nature alike is certainly fitting, especially as a homage to Gurney - the man, the poet, the composer. When also looking for a female counterpart and perspective on the war, the imagery of broken trees returns in poems by Margaret Postgate Cole and Charlotte Mew. In the epilogue, which pays tribute to the resurrection of the once destroyed city, reference is made to Jean Giono’s \u003c\/span\u003e\u003cspan\u003eThe Man Who Planted Trees \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eL’Homme qui plantait des arbres\u003c\/span\u003e\u003cspan\u003e, 1954). It is yet another work about trees, symbolising life and leading the way to resurrection. This magnificent short-story was also written by a veteran of the First World War and of the battlefields of Flanders. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs such, \u003c\/span\u003e\u003cspan\u003eA Symphony of Trees \u003c\/span\u003e\u003cspan\u003ehas become a true homage to Ivor Gurney and to Ypres. The city was the centre of terrible fighting in Flanders during the First World War, and was entirely destroyed. In the 1920s it was resurrected and ever since bears witness to the world of the utter destruction of war. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUpon arrival in Ypres, Gurney described the ruins of the city at dawn. When out in the line, he saw the destruction of the entire landscape. It made such an impact that after the war, he would often think back on the horrid scene. Although he’d wished he could only have had sweet memories of Ypres...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery\u003c\/strong\u003e\u003c\/strong\u003e: \u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bol.com\/be\/nl\/p\/piet-swerts-in-flanders-fields-vol-98-a-symphony-of-trees\/9200000087308012\/\" title=\"A SYMPHONY OF TREES\"\u003ePUBLISHED BY THE LABEL 'PHAEDRA vol.98'\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":53799146062173,"sku":"","price":86.92,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2024-09-27om13.52.59.png?v=1727437993"},{"product_id":"a-symphony-of-trees-study-score-244pp","title":"A SYMPHONY OF TREES — STUDY SCORE (244pp)","description":"\u003cp\u003e\u003cem\u003eOpening of A Symphony of Trees:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FbpFvsK62A0?si=IghBtLO6Xh7TZfS_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCentral Tenor Aria \"The Silent One\":\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/a9J4xq8jnuA?si=u-NIqFw0Q3VcjzP4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e Finale of A Symphony of Trees:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AoLgbhdEH_4?si=ohIonI-a4ioNF4m-\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn the Spring of 2015, 138 memorial trees were planted in Ypres. Each tree was planted where roads leading out of the city crossed the curved frontline forming the infamous Ypres Salient of the First World War. This salient stood as a semi-circle around the medieval city from October 1914 to October 1918. During those four years the line moved back and forth several times, but the salient never broke. The trees were planted on the 100th anniversary of the line formation that was the closest to the city centre, and stayed there for the longest period – some 27 months. This so called “small salient” is now recognisable in the landscape through elm trees, trees that were very common before the First World War in the Ypres area. In fact, the word “iep” (for elm) and “Ieper” (the Flemish name of Ypres) are etymologically the same in Flemish. After the war a lot of elms were planted back, but in the 1980s and 1990s most of them died as a result of elm disease. In 2015 a new resistant breed of elms were chosen to become the memorial tree, thus symbolising a double process of loss and resurrection. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen British soldier, poet and composer Ivor Gurney came to the Ypres salient in August 1917, a lot of trees had vanished already. As the British offensive was creeping slowly towards Passchendaele, in an attempt to break the salient, more and more trees got smashed up, as happened to the rest of the countryside. Gurney, who in peace time was an avid walker and lover of the countryside, was shocked by the sight of such utter destruction of life and nature. As a Private with a Machine Gun Company attached to the 2\u003c\/span\u003e\u003cspan\u003end\u003c\/span\u003e\u003cspan\u003e\/5\u003c\/span\u003e\u003cspan\u003eth \u003c\/span\u003e\u003cspan\u003eGloucestershire Regiment, he spent weeks watching out over the barren battlefields east of Ypres. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGurney’s poetry is always about his experience and that of his fellow soldiers. In some poems he also explicitly describes the “dreadfulness” of the destroyed landscape. As a composer in those days he was stirred by A.E.Housman’s poem, \u003c\/span\u003e\u003cspan\u003eOn Wenlock Edge\u003c\/span\u003e\u003cspan\u003e. This poem, from Housman’s immensely popular cycle \u003c\/span\u003e\u003cspan\u003eA Shropshire Lad \u003c\/span\u003e\u003cspan\u003e(1896), also uses the image of distressed woods as a symbol for men’s suffering. In Ivor Gurney’s mind, who considered himself a composer first and a poet second, nature and music mingle in a true sense. And in nature trees are a formidable, direct inspiration for his music. In an essay on music he wrote: \u003c\/span\u003e\u003cspan\u003e“From poplars has come much: the larch has given grace to thought in many of the smaller forms. The oak has strengthened many, and in the shady chambers of the elm many have found peace. Trees are the friendliness of things: the beech with its smooth A major trunk, its laughing E major foliage; the Scotch fir which, passionate or still, is always F sharp minor!’” (\u003c\/span\u003e\u003cspan\u003eIvor Gurney, \u003c\/span\u003e\u003cspan\u003eThe Spring of Music\u003c\/span\u003e\u003cspan\u003e, in: Music Quarterly 8, July 1922) \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 13\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSuch imagery is at the core of this new work by Piet Swerts, dedicated to the memory of Ivor Gurney and to the destroyed and resurrected City of Ypres. Using Gurney’s descriptions of broken trees in the destroyed Flemish countryside to express the destruction of man and nature alike is certainly fitting, especially as a homage to Gurney - the man, the poet, the composer. When also looking for a female counterpart and perspective on the war, the imagery of broken trees returns in poems by Margaret Postgate Cole and Charlotte Mew. In the epilogue, which pays tribute to the resurrection of the once destroyed city, reference is made to Jean Giono’s \u003c\/span\u003e\u003cspan\u003eThe Man Who Planted Trees \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eL’Homme qui plantait des arbres\u003c\/span\u003e\u003cspan\u003e, 1954). It is yet another work about trees, symbolising life and leading the way to resurrection. This magnificent short-story was also written by a veteran of the First World War and of the battlefields of Flanders. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs such, \u003c\/span\u003e\u003cspan\u003eA Symphony of Trees \u003c\/span\u003e\u003cspan\u003ehas become a true homage to Ivor Gurney and to Ypres. The city was the centre of terrible fighting in Flanders during the First World War, and was entirely destroyed. In the 1920s it was resurrected and ever since bears witness to the world of the utter destruction of war. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUpon arrival in Ypres, Gurney described the ruins of the city at dawn. When out in the line, he saw the destruction of the entire landscape. It made such an impact that after the war, he would often think back on the horrid scene. Although he’d wished he could only have had sweet memories of Ypres...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAlso digitally available.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bol.com\/be\/nl\/p\/piet-swerts-in-flanders-fields-vol-98-a-symphony-of-trees\/9200000087308012\/\" title=\"A SYMPHONY OF TREES\"\u003e\u003cstrong\u003ePUBLISHED BY THE LABEL 'PHAEDRA vol.98'\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":53799388053853,"sku":null,"price":100.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2024-09-27om13.52.59.png?v=1727437993"},{"product_id":"les-liaisons-dangereuses-opera-en-quatre-actes-study-score","title":"Les Liaisons Dangereuses — Opéra en quatre actes — STUDY SCORE","description":"\u003ciframe style=\"width:550px;height:350px\" src=\"https:\/\/online.anyflip.com\/jtizk\/qbgr\/index.html\" seamless=\"seamless\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\"\u003e\u003c\/iframe\u003e\u003cp\u003eOpéra en quatre actes sur un livret de Dirk van der Cruysse d'après le roman épistolaire du même nom de Pierre Choderlos de Laclos\u003c\/p\u003e\n\u003cp\u003eOpera in four actes on a libretto by Dirk van der Crusse to the epistolary novel of the same name by Pierre Choderlos de Laclos.\u003c\/p\u003e\n\u003cp\u003eCommissioned by the Flemish Opera of Antwerp 1996.\u003c\/p\u003e\n\u003cp\u003eOrchestral Score.\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":57488352411997,"sku":"","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2025-04-27om10.54.02.png?v=1745744287"},{"product_id":"tattvas-for-4-saxophonists-and-orchestra-study-score-new","title":"TATTVAS for 4 saxophonists and orchestra — STUDY SCORE in LARGE FORMAT — NEW !","description":"\u003ciframe style=\"width:550px;height:350px\" src=\"http:\/\/online.anyflip.com\/jtizk\/prjy\/\" seamless=\"seamless\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2112700947\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\" title=\"Piet J.Swerts\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\/tattvas-for-4-saxophonists-and-orchestra\" title=\"TATTVAS for 4 saxophonists and orchestra\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eTATTVAS for 4 saxophonists and orchestra\u003c\/a\u003e\n\u003c\/div\u003e\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThis composition for 4 saxophonists and orchestra is a logical development in the further development for my oeuvre specifically for saxophone. I am of the belief that Belgian composers have an artistic duty to create repertoire for this instrument because its creator is also a Belgian. The request came from LUCA School of Arts in view of my retirement in July 2027. To celebrate this, we opted together for this artistic project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eA concertante for saxophone quartet and orchestra is a line-up that is not very common. Moreover, it gives the opportunity to have several saxophonists making music with orchestra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eFrom this perspective, I thought formally that it would be interesting to cover the different types of saxophones and not just stick to the conventional saxophone quartet. Hence, in this composition, each movement features a quartet of the same type of instrument, four soprano, four alto and four tenor saxophones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI therefore decided to create a five-part work where the outer movements would be the classical saxophone quartet as soloists \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eand the inner parts would be a quartet of four of the same instruments: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eTattva\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e is Sanskrit for datness, principle, reality or truth. According to various Indian philosophical schools, a ‘tattva’ is an element or reality that is an aspect of a deity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe elements are: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eearth (prithvi), water (apas), fire (tejas), air (vayu)and ether \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e(akasha), which every human being is said to consist of. Thus, each volume has been given the following title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eAKASHA for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eVAYU for SSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTEJAS for AAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAPAS for TTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003ePRITHVI for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe result is a large work of 33': in this unique construction, it is even possible for each movement to be performed by a different quartet so that potentially as many as 16 different players could participate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe composition itself has become enormously colorful and virtuosic with a full standard instrumentation in symphony orchestra, with piano, celesta and lots of percussion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI linked the choice of subject matter to the nature of the composed quartet. The first movement ‘Akasha’ is an evocation of the universe, imperceptible, infinite and constantly moving. To realize this, I composed a twelve-tone sequence that mainly moves on thirds,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eallowing for stacks that are not harmonically functional. The entire first movement is an expiration of six series where the end note of each series is the starting note of the next transposition. In the middle, the series retrograde back into inversion. This is the so-called harmonic constellation on which the movement attempts to evoke the universe. The notes lie in the strings that constantly glissando shift to the next note. Around that come interactions of saxophones and the rest of the orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e‘Vayu’, air, was meant to sound fluid and fleeting. It is a virtuoso scherzo in which the virtuosity of the soprano saxophone comes in handy. Because we now have a quartet arrangement of four of the same instruments, parallel movements and cluster canons are ideal for suggesting this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e‘Tejas’ goes one step further in playing out cluster movements. In the middle movement, a chorale emerges and is adopted by the different groups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe warm sonority of four tenor saxophones seemed appropriate to portray the ‘water’ theme. A continuous 5\/8 meter evokes the flowing rhythm and incessant movement of water. Small interjections imitating each other in orchestra and soloists depict the falling of water drops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIn the finale, we come from the depths of the earth to a grand climactic build-up in the form of a passacaglia on thirds stacks. It is an orgy of sound that should serve as the conclusion of an adventurous 33' course.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eORCHESTRATION: \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 7\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003epiccolo, flute I.II, oboe I.II., clarinet I.II in B flat, \u003c\/span\u003e\u003cspan\u003ebassclarinet in B flat, \u003c\/span\u003e\u003cspan\u003ebassoon I.II , \u003c\/span\u003e\u003cspan\u003edouble bassoon, \u003c\/span\u003e\u003cspan\u003ehorns I.II.III.IV in F, trumpet I.II.III in C, trombone I.II.III ,tuba \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003epercussion: 4 players, Glockenspiel, Tubular Bells, vibraphone, triangle, clash cymbals, woodblocks, claves, snare drum, tomtoms, bass drum, tam-tam \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eharp, celesta, piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etimpani \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003esoprano saxophone \u003c\/span\u003e\u003cspan\u003esolo (also playing alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ealto saxophone \u003c\/span\u003e\u003cspan\u003esolo(also playing soprano, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etenor saxophone \u003c\/span\u003e\u003cspan\u003esolo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(also playing soprano, alto) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ebaritone saxophone \u003c\/span\u003e\u003cspan\u003esolo\u003cbr\u003e(also playing soprano, alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12-14 violins I, 10-12 violins II, 8-10 violas, 6-8 violoncellos, 4-6 double basses \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eduration: ca. 33' \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":57775221080413,"sku":"","price":127.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2025-06-13om09.13.20.png?v=1749798823"},{"product_id":"ze-digital-tattvas-for-4-saxophonists-and-orchestra-study-score-new","title":"ZE DIGITAL — TATTVAS for 4 saxophonists and orchestra — STUDY SCORE — NEW !","description":"\u003cp\u003e\u003ciframe src=\"http:\/\/online.anyflip.com\/jtizk\/prjy\/\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2112700947\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\" title=\"Piet J.Swerts\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\/tattvas-for-4-saxophonists-and-orchestra\" title=\"TATTVAS for 4 saxophonists and orchestra\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eTATTVAS for 4 saxophonists and orchestra\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan src=\"https:\/\/online.anyflip.com\/jtizk\/prjy\/index.html\" lang=\"EN-US\"\u003eThis composition for 4 saxophonists and orchestra is a logical development in the further development for my oeuvre specifically for saxophone. I am of the belief that Belgian composers have an artistic duty to create repertoire for this instrument because its creator is also a Belgian. The request came from LUCA School of Arts in view of my retirement in July 2027. To celebrate this, we opted together for this artistic project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eA concertante for saxophone quartet and orchestra is a line-up that is not very common. Moreover, it gives the opportunity to have several saxophonists making music with orchestra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFrom this perspective, I thought formally that it would be interesting to cover the different types of saxophones and not just stick to the conventional saxophone quartet. Hence, in this composition, each movement features a quartet of the same type of instrument, four soprano, four alto and four tenor saxophones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI therefore decided to create a five-part work where the outer movements would be the classical saxophone quartet as soloists \u003c\/span\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eand the inner parts would be a quartet of four of the same instruments: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eTattva\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e is Sanskrit for datness, principle, reality or truth. According to various Indian philosophical schools, a ‘tattva’ is an element or reality that is an aspect of a deity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe elements are: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eearth (prithvi), water (apas), fire (tejas), air (vayu)and ether \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e(akasha), which every human being is said to consist of. Thus, each volume has been given the following title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eAKASHA for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eVAYU for SSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTEJAS for AAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAPAS for TTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003ePRITHVI for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe result is a large work of 33': in this unique construction, it is even possible for each movement to be performed by a different quartet so that potentially as many as 16 different players could participate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe composition itself has become enormously colorful and virtuosic with a full standard instrumentation in symphony orchestra, with piano, celesta and lots of percussion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI linked the choice of subject matter to the nature of the composed quartet. The first movement ‘Akasha’ is an evocation of the universe, imperceptible, infinite and constantly moving. To realize this, I composed a twelve-tone sequence that mainly moves on thirds,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eallowing for stacks that are not harmonically functional. The entire first movement is an expiration of six series where the end note of each series is the starting note of the next transposition. In the middle, the series retrograde back into inversion. This is the so-called harmonic constellation on which the movement attempts to evoke the universe. The notes lie in the strings that constantly glissando shift to the next note. Around that come interactions of saxophones and the rest of the orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e‘Vayu’, air, was meant to sound fluid and fleeting. It is a virtuoso scherzo in which the virtuosity of the soprano saxophone comes in handy. Because we now have a quartet arrangement of four of the same instruments, parallel movements and cluster canons are ideal for suggesting this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e‘Tejas’ goes one step further in playing out cluster movements. In the middle movement, a chorale emerges and is adopted by the different groups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe warm sonority of four tenor saxophones seemed appropriate to portray the ‘water’ theme. A continuous 5\/8 meter evokes the flowing rhythm and incessant movement of water. Small interjections imitating each other in orchestra and soloists depict the falling of water drops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIn the finale, we come from the depths of the earth to a grand climactic build-up in the form of a passacaglia on thirds stacks. It is an orgy of sound that should serve as the conclusion of an adventurous 33' course.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eORCHESTRATION: \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003epiccolo, flute I.II, oboe I.II., clarinet I.II in B flat, \u003c\/span\u003e\u003cspan\u003ebassclarinet in B flat, \u003c\/span\u003e\u003cspan\u003ebassoon I.II , \u003c\/span\u003e\u003cspan\u003edouble bassoon, \u003c\/span\u003e\u003cspan\u003ehorns I.II.III.IV in F, trumpet I.II.III in C, trombone I.II.III ,tuba \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003epercussion: 4 players, Glockenspiel, Tubular Bells, vibraphone, triangle, clash cymbals, woodblocks, claves, snare drum, tomtoms, bass drum, tam-tam \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eharp, celesta, piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etimpani \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003esoprano saxophone \u003c\/span\u003e\u003cspan\u003esolo (also playing alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ealto saxophone \u003c\/span\u003e\u003cspan\u003esolo(also playing soprano, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etenor saxophone \u003c\/span\u003e\u003cspan\u003esolo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(also playing soprano, alto) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ebaritone saxophone \u003c\/span\u003e\u003cspan\u003esolo\u003cbr\u003e(also playing soprano, alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12-14 violins I, 10-12 violins II, 8-10 violas, 6-8 violoncellos, 4-6 double basses \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eduration: ca. 33'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe digital file contains 2 versions of lay-out: the first is a cutaway score, the second a traditional edition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong data-start=\"367\" data-end=\"407\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":57775224750429,"sku":null,"price":95.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2025-06-13om09.13.20.png?v=1749798823"},{"product_id":"ze-digital-tattvas-for-4-saxophonists-and-orchestra-full-set-new","title":"ZE DIGITAL — TATTVAS for 4 saxophonists and orchestra — FULL SET — NEW !","description":"\u003cp\u003e\u003ciframe src=\"http:\/\/online.anyflip.com\/jtizk\/prjy\/\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2112700947\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Piet J.Swerts\" href=\"https:\/\/soundcloud.com\/piet-swerts\" target=\"_blank\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"TATTVAS for 4 saxophonists and orchestra\" href=\"https:\/\/soundcloud.com\/piet-swerts\/tattvas-for-4-saxophonists-and-orchestra\" target=\"_blank\"\u003eTATTVAS for 4 saxophonists and orchestra\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eFull Set in one digital file 905 pp. No shipping costs.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThis composition for 4 saxophonists and orchestra is a logical development in the further development for my oeuvre specifically for saxophone. I am of the belief that Belgian composers have an artistic duty to create repertoire for this instrument because its creator is also a Belgian. The request came from LUCA School of Arts in view of my retirement in July 2027. To celebrate this, we opted together for this artistic project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eA concertante for saxophone quartet and orchestra is a line-up that is not very common. Moreover, it gives the opportunity to have several saxophonists making music with orchestra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eFrom this perspective, I thought formally that it would be interesting to cover the different types of saxophones and not just stick to the conventional saxophone quartet. Hence, in this composition, each movement features a quartet of the same type of instrument, four soprano, four alto and four tenor saxophones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI therefore decided to create a five-part work where the outer movements would be the classical saxophone quartet as soloists \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eand the inner parts would be a quartet of four of the same instruments: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cb\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eTattva\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e is Sanskrit for datness, principle, reality or truth. According to various Indian philosophical schools, a ‘tattva’ is an element or reality that is an aspect of a deity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe elements are: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eearth (prithvi), water (apas), fire (tejas), air (vayu)and ether \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e(akasha), which every human being is said to consist of. Thus, each volume has been given the following title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eAKASHA for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eVAYU for SSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTEJAS for AAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAPAS for TTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003ePRITHVI for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe result is a large work of 33': in this unique construction, it is even possible for each movement to be performed by a different quartet so that potentially as many as 16 different players could participate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe composition itself has become enormously colorful and virtuosic with a full standard instrumentation in symphony orchestra, with piano, celesta and lots of percussion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eI linked the choice of subject matter to the nature of the composed quartet. The first movement ‘Akasha’ is an evocation of the universe, imperceptible, infinite and constantly moving. To realize this, I composed a twelve-tone sequence that mainly moves on thirds,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eallowing for stacks that are not harmonically functional. The entire first movement is an expiration of six series where the end note of each series is the starting note of the next transposition. In the middle, the series retrograde back into inversion. This is the so-called harmonic constellation on which the movement attempts to evoke the universe. The notes lie in the strings that constantly glissando shift to the next note. Around that come interactions of saxophones and the rest of the orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e‘Vayu’, air, was meant to sound fluid and fleeting. It is a virtuoso scherzo in which the virtuosity of the soprano saxophone comes in handy. Because we now have a quartet arrangement of four of the same instruments, parallel movements and cluster canons are ideal for suggesting this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003e‘Tejas’ goes one step further in playing out cluster movements. In the middle movement, a chorale emerges and is adopted by the different groups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eThe warm sonority of four tenor saxophones seemed appropriate to portray the ‘water’ theme. A continuous 5\/8 meter evokes the flowing rhythm and incessant movement of water. Small interjections imitating each other in orchestra and soloists depict the falling of water drops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eIn the finale, we come from the depths of the earth to a grand climactic build-up in the form of a passacaglia on thirds stacks. It is an orgy of sound that should serve as the conclusion of an adventurous 33' course.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\"\u003eORCHESTRATION: \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 7\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003epiccolo, flute I.II, oboe I.II., clarinet I.II in B flat, \u003c\/span\u003e\u003cspan\u003ebassclarinet in B flat, \u003c\/span\u003e\u003cspan\u003ebassoon I.II , \u003c\/span\u003e\u003cspan\u003edouble bassoon, \u003c\/span\u003e\u003cspan\u003ehorns I.II.III.IV in F, trumpet I.II.III in C, trombone I.II.III ,tuba \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003epercussion: 4 players, Glockenspiel, Tubular Bells, vibraphone, triangle, clash cymbals, woodblocks, claves, snare drum, tomtoms, bass drum, tam-tam \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eharp, celesta, piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etimpani \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003esoprano saxophone \u003c\/span\u003e\u003cspan\u003esolo (also playing alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ealto saxophone \u003c\/span\u003e\u003cspan\u003esolo(also playing soprano, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etenor saxophone \u003c\/span\u003e\u003cspan\u003esolo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(also playing soprano, alto) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ebaritone saxophone \u003c\/span\u003e\u003cspan\u003esolo\u003cbr\u003e(also playing soprano, alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12-14 violins I, 10-12 violins II, 8-10 violas, 6-8 violoncellos, 4-6 double basses \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eduration: ca. 33'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":57775229141341,"sku":null,"price":795.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2025-06-13om09.13.20.png?v=1749798823"},{"product_id":"tattvas-for-4-saxophonists-and-orchestra-full-set-new","title":"TATTVAS for 4 saxophonists and orchestra — FULL SET — NEW !","description":"\u003ciframe style=\"width:550px;height:350px\" src=\"http:\/\/online.anyflip.com\/jtizk\/prjy\/\" seamless=\"seamless\" scrolling=\"no\" frameborder=\"0\" allowtransparency=\"true\" allowfullscreen=\"true\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2112700947\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\" title=\"Piet J.Swerts\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePiet J.Swerts\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/piet-swerts\/tattvas-for-4-saxophonists-and-orchestra\" title=\"TATTVAS for 4 saxophonists and orchestra\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eTATTVAS for 4 saxophonists and orchestra\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFull Set in one digital file 905 pp.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThis composition for 4 saxophonists and orchestra is a logical development in the further development for my oeuvre specifically for saxophone. I am of the belief that Belgian composers have an artistic duty to create repertoire for this instrument because its creator is also a Belgian. The request came from LUCA School of Arts in view of my retirement in July 2027. To celebrate this, we opted together for this artistic project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eA concertante for saxophone quartet and orchestra is a line-up that is not very common. Moreover, it gives the opportunity to have several saxophonists making music with orchestra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFrom this perspective, I thought formally that it would be interesting to cover the different types of saxophones and not just stick to the conventional saxophone quartet. Hence, in this composition, each movement features a quartet of the same type of instrument, four soprano, four alto and four tenor saxophones. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI therefore decided to create a five-part work where the outer movements would be the classical saxophone quartet as soloists \u003c\/span\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eand the inner parts would be a quartet of four of the same instruments: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eSATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eTattva\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e is Sanskrit for datness, principle, reality or truth. According to various Indian philosophical schools, a ‘tattva’ is an element or reality that is an aspect of a deity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe elements are: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eearth (prithvi), water (apas), fire (tejas), air (vayu)and ether \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e(akasha), which every human being is said to consist of. Thus, each volume has been given the following title:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI.\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eAKASHA for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eII.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003eVAYU for SSSS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIII.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eTEJAS for AAAA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIV.\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003eAPAS for TTTT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eV.\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003ePRITHVI for SATB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe result is a large work of 33': in this unique construction, it is even possible for each movement to be performed by a different quartet so that potentially as many as 16 different players could participate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe composition itself has become enormously colorful and virtuosic with a full standard instrumentation in symphony orchestra, with piano, celesta and lots of percussion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eI linked the choice of subject matter to the nature of the composed quartet. The first movement ‘Akasha’ is an evocation of the universe, imperceptible, infinite and constantly moving. To realize this, I composed a twelve-tone sequence that mainly moves on thirds,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eallowing for stacks that are not harmonically functional. The entire first movement is an expiration of six series where the end note of each series is the starting note of the next transposition. In the middle, the series retrograde back into inversion. This is the so-called harmonic constellation on which the movement attempts to evoke the universe. The notes lie in the strings that constantly glissando shift to the next note. Around that come interactions of saxophones and the rest of the orchestra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e‘Vayu’, air, was meant to sound fluid and fleeting. It is a virtuoso scherzo in which the virtuosity of the soprano saxophone comes in handy. Because we now have a quartet arrangement of four of the same instruments, parallel movements and cluster canons are ideal for suggesting this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e‘Tejas’ goes one step further in playing out cluster movements. In the middle movement, a chorale emerges and is adopted by the different groups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eThe warm sonority of four tenor saxophones seemed appropriate to portray the ‘water’ theme. A continuous 5\/8 meter evokes the flowing rhythm and incessant movement of water. Small interjections imitating each other in orchestra and soloists depict the falling of water drops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIn the finale, we come from the depths of the earth to a grand climactic build-up in the form of a passacaglia on thirds stacks. It is an orgy of sound that should serve as the conclusion of an adventurous 33' course.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Goudy Old Style BT',serif; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eORCHESTRATION: \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003epiccolo, flute I.II, oboe I.II., clarinet I.II in B flat, \u003c\/span\u003e\u003cspan\u003ebassclarinet in B flat, \u003c\/span\u003e\u003cspan\u003ebassoon I.II , \u003c\/span\u003e\u003cspan\u003edouble bassoon, \u003c\/span\u003e\u003cspan\u003ehorns I.II.III.IV in F, trumpet I.II.III in C, trombone I.II.III ,tuba \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003epercussion: 4 players, Glockenspiel, Tubular Bells, vibraphone, triangle, clash cymbals, woodblocks, claves, snare drum, tomtoms, bass drum, tam-tam \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eharp, celesta, piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etimpani \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003esoprano saxophone \u003c\/span\u003e\u003cspan\u003esolo (also playing alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ealto saxophone \u003c\/span\u003e\u003cspan\u003esolo(also playing soprano, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003etenor saxophone \u003c\/span\u003e\u003cspan\u003esolo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(also playing soprano, alto) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ebaritone saxophone \u003c\/span\u003e\u003cspan\u003esolo\u003cbr\u003e(also playing soprano, alto, tenor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12-14 violins I, 10-12 violins II, 8-10 violas, 6-8 violoncellos, 4-6 double basses \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eduration: ca. 33' \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":57775233433949,"sku":null,"price":795.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2025-06-13om09.13.20.png?v=1749798823"},{"product_id":"johannespassie","title":"JOHANNESPASSIE — KLAVIERREDUCTIE — NIEUW!","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/ehci\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDeze uitgave bevat de \u003cstrong\u003eklavierreductie\u003c\/strong\u003e van de \u003cstrong\u003eJohannespassie\u003c\/strong\u003e van \u003cstrong\u003ePiet Jozef Swerts,\u003c\/strong\u003e 165 pp. Het werk heeft een totale duur van \u003cstrong\u003e125'\u003c\/strong\u003e en is opgezet in drie delen. \u003cstrong\u003eBezetting:\u003c\/strong\u003e drie solisten, gemengd koor, houtblazerskwintet, continuo en strijkers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVoor gereduceerde prijzen voor grotere aantallen van de klavierreductie:\u003c\/span\u003e gelieve  zodiaceditions@gmail.com te contacteren.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe volledige speelset is fysiek of digitaal beschikbaar.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDe compositie telt \u003cstrong\u003e42\u003c\/strong\u003e afzonderlijke nummers, waaronder \u003cstrong\u003erecitatieven, turbakoren, koralen, aria's, openings- en slotkoor.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDe evangelieteksten worden daarin afgewisseld met bezinningsteksten die geïnspireerd zijn op Bijbelteksten en psalmen, waardoor het passieverhaal zowel narratief als meditatief wordt belicht.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe orkestpartituur is apart beschikbaar in \u003cspan style=\"text-decoration: underline;\"\u003ehardcover\u003c\/span\u003e als studiepartituur, evenals in A3-formaat als \u003cspan style=\"text-decoration: underline;\"\u003edirectiepartituur.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cmeta charset=\"utf-8\"\u003eOp aanvraag is een gesamplede opname gratis verkrijgbaar.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn \u003cspan style=\"text-decoration: underline;\"\u003eEnglish version\u003c\/span\u003e is also available as well, full set, also digital, hardcover version of the orchestral score as study score, the vocal score in paperback and the orchestral score in large size as conductor score.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":62719614058845,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-05-02om18.20.13.png?v=1777738886"},{"product_id":"johannespassie-klavierreductie-nieuw-kopie","title":"JOHANNESPASSIE — ORKESTPARTITUUR — HARDCOVER EDITIE — NIEUW!","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/dkjd\/index.html\" style=\"width: 550px; 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JOHN PASSION — FULL SET SCORE AND PARTS — NEW!","description":"\u003cp\u003e\u003ciframe style=\"width: 550px; height: 350px;\" src=\"https:\/\/online.anyflip.com\/jtizk\/byev\/index.html\"\u003e\u003c\/iframe\u003eSwerts' \u003cstrong\u003eSt. John Passion\u003c\/strong\u003e is a large-scale\u003cstrong\u003e oratorio \u003c\/strong\u003econsisting of \u003cstrong\u003e42 numbers \u003c\/strong\u003eand lasting approximately\u003cstrong\u003e 125 minutes.\u003c\/strong\u003e Inspired by the great Passion tradition, it combines expressive arias, chorales, recitatives, and monumental choral movements, including an opening chorus and a closing chorus. The work follows the dramatic narrative of the Passion story while uniting lyrical reflection, spiritual depth, and symphonic breadth in a contemporary musical language. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne full set contains:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x conductor score A3 format 220 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x flute 48 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x oboe 48 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x clarinet in B flat 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x bassoon 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x horn in F 42pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5x violin 1° 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4x violin 2° 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3x viola 52pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x cello 56pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x double bass 52pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x continuo 60pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal scores have to be purchased separately. For large numbers we apply a discount; please don't hesitate to contact us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"NL\"\u003eAlso available: the orchestral score in hardcover edition as study score; the full set is also digitally available.  \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":64871667958109,"sku":null,"price":742.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-02om22.08.27.png?v=1780430926"},{"product_id":"ze-digital-st-john-passion-full-set-score-and-parts-new","title":"ZE DIGITAL — ST. JOHN PASSION — FULL SET SCORE AND PARTS — NEW!","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/online.anyflip.com\/jtizk\/byev\/index.html\" style=\"width: 550px; height: 350px;\"\u003e\u003c\/iframe\u003eSwerts' \u003cstrong\u003eSt. John Passion\u003c\/strong\u003e is a large-scale\u003cstrong\u003e oratorio \u003c\/strong\u003econsisting of \u003cstrong\u003e42 numbers \u003c\/strong\u003eand lasting approximately\u003cstrong\u003e 125 minutes.\u003c\/strong\u003e Inspired by the great Passion tradition, it combines expressive arias, chorales, recitatives, and monumental choral movements, including an opening chorus and a closing chorus. The work follows the dramatic narrative of the Passion story while uniting lyrical reflection, spiritual depth, and symphonic breadth in a contemporary musical language. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"407\" data-start=\"367\"\u003eDigital Product – Immediate Delivery: \u003c\/strong\u003e\u003cem\u003eThis product is delivered digitally and becomes available immediately after purchase. \u003c\/em\u003e\u003cem\u003eBy completing this purchase, you expressly agree that the performance of the contract begins immediately. \u003c\/em\u003e\u003cem\u003eYou acknowledge that you thereby lose your right of withdrawal once the download or access to the digital content has started. \u003c\/em\u003e\u003cem\u003ePlease ensure you understand this before completing your order.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne full set contains in one digital file:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x conductor score  220 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x flute 48 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x oboe 48 pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x clarinet in B flat 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x bassoon 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x horn in F 42pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5x violin 1° 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4x violin 2° 48pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3x viola 52pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2x cello 56pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x double bass 52pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1x continuo 60pp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal scores have to be purchased separately. For large numbers we apply a discount; please don't hesitate to contact us.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"NL\"\u003eAlso available: the orchestral score in hardcover edition as a study score; the full set is also physically available.  \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"ZodiacEditions","offers":[{"title":"Default Title","offer_id":64871697940829,"sku":null,"price":636.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0276\/3531\/8853\/files\/Scherm_afbeelding2026-06-02om22.08.27.png?v=1780430926"}],"url":"https:\/\/zodiaceditions.com\/collections\/studyscores.oembed?page=5","provider":"ZodiacEditions","version":"1.0","type":"link"}